Avec La Tribune, Elise Courcol-Rozès interroge ce qu’est « faire justice ». Elle récolte les récits de témoins, prévenus et victimes sur leur perception de l’espace architectural du tribunal et la répartition de la parole en son sein. Par sa manière de travailler, l’artiste adhère à une conception bonnardienne de l’art.

Le Syndrome de Bonnard (Bonnard Syndrome) reveals the shifting and open nature of the works. Between reworkings, reactivations, and recycling, they continue on their own trajectory beyond their entry into collections.

Le Syndrome de Bonnard (Bonnard Syndrome), will reveal the evolving and open nature of artworks. Through reworkings, reactivations and recycling, the works continue to evolve after entering collections.

Ruoxi Jin weaves a family genealogy and creates a parallel world made up of truths and legends, memory and projection.

Le Syndrome de Bonnard (Bonnard Syndrome), will reveal the evolving and open nature of artworks. Through reworkings, reactivations and recycling, the works continue to evolve after entering collections.

The works of the artists featured in FoRTE#7—sculpture, artist’s books, immersive installations, video, and sound art—engage in dialogue with the Frac Île-de-France collection and reflect the way in which artists address contemporary issues—memory, ecology, digital technology—to create sensitive worlds.

Elouan Le Bars explores the logic of simulation specific to digital environments, the speculative and interactive potential of video games, changes in the world of work, and their managerial implications.

In Splash collection, the works become the protagonists of a story inspired by the worlds of manga and comic strips. Among them is Le décalage by Marc-Antoine Matthieu.

Mathilde Denize stages her paintings, transforming them into authentic “theatrical tableaux.”Through her installations, she creates spaces for perception rather than narrative, encouraging us to explore shapes and sensations.