Le Syndrome de Bonnard (Bonnard Syndrome), will reveal the evolving and open nature of artworks. Through reworkings, reactivations and recycling, the works continue to evolve after entering collections.

Laura Burucoa’s artistic practice takes shape based on the context and the people with whom she interacts. She initiates group activities in which she pays particular attention to the issues at hand, as well as to ways of communicating and collaborating.

The exhibition Pantin explores the connections between language, the city, and intimacy through an installation of letter-sculptures and images created in the artist’s living and working spaces.

Le Syndrome de Bonnard (Bonnard Syndrome), will reveal the evolving and open nature of artworks. Through reworkings, reactivations and recycling, the works continue to evolve after entering collections.

The Musée Transitoire is an institution-as-artwork that engages with the architecture and acoustics of places in transition. The Musée Transitoire, the fourth edition of The Musée Transitoire, is an exhibition in several acts.

A group of students from Romain Bernini’s studio at the École des Beaux-Arts de Paris rounds out their training by collaborating with the Frac to design a series of workshops where their brushes meet those of the public in the outpatient department.

A sung and introspective extension of the Syndrome de Bonnard, this performance by Cally Spooner is revived at the heart of the exhibition that closes La Galerie’s season.

The exhibition brings together various aspects of contemporary sculpture from the collections of the Frac Île-de-France with works and anecdotes from the life of sculptor Henri Chapu…

The exhibition brings together various aspects of contemporary sculpture from the collections of the Frac Île-de-France with works and anecdotes from the life of sculptor Henri Chapu…

Avec ”Premières vues”, le Domaine régional de Villarceaux s’associe au Frac Île-de-France pour confier le commissariat d’une exposition à celles et ceux qui le font vivre au quotidien : l’équipe du domaine.

As part of this new volume of Temps d’art, the public is invited to perform a similar gesture using stencils that echo, among other things, the police anecdote of the 1965 theft of a Pierre Bonnard painting from the Menier collection—the former owners of the château that preceded the museum.

Le Syndrome de Bonnard (Bonnard Syndrome) reveals the shifting and open nature of the works. Between reworkings, reactivations, and recycling, they continue on their own trajectory beyond their entry into collections.

In Splash collection, the works become the protagonists of a story inspired by the worlds of manga and comic strips. Among them is Le décalage by Marc-Antoine Matthieu.