À la frontière du documentaire et de la fiction, Rayane Mcirdi
construit ses films à partir d’histoires, de souvenirs et d’anecdotes
recueillis auprès de sa famille, de ses proches et des habitants
d’Asnières-sur-Seine et de Gennevilliers, où il a grandi.

The exhibition explores the ways in which artists become custodians of stories, revive fragmented memories, and imagine alternative futures.

The exhibition brings together various aspects of contemporary sculpture from the collections of the Frac Île-de-France with works and anecdotes from the life of sculptor Henri Chapu…

Avec ”Premières vues”, le Domaine régional de Villarceaux s’associe au Frac Île-de-France pour confier le commissariat d’une exposition à celles et ceux qui le font vivre au quotidien : l’équipe du domaine.

As part of this new volume of Temps d’art, the public is invited to perform a similar gesture using stencils that echo, among other things, the police anecdote of the 1965 theft of a Pierre Bonnard painting from the Menier collection—the former owners of the château that preceded the museum.

Le Syndrome de Bonnard (Bonnard Syndrome) reveals the shifting and open nature of the works. Between reworkings, reactivations, and recycling, they continue on their own trajectory beyond their entry into collections.