Le Syndrome de Bonnard (Bonnard Syndrome), will reveal the evolving and open nature of artworks. Through reworkings, reactivations and recycling, the works continue to evolve after entering collections.

The exhibition Pantin explores the connections between language, the city, and intimacy through an installation of letter-sculptures and images created in the artist’s living and working spaces.

Le Syndrome de Bonnard (Bonnard Syndrome), will reveal the evolving and open nature of artworks. Through reworkings, reactivations and recycling, the works continue to evolve after entering collections.

A group of students from Romain Bernini’s studio at the École des Beaux-Arts de Paris rounds out their training by collaborating with the Frac to design a series of workshops where their brushes meet those of the public in the outpatient department.

The exhibition brings together various aspects of contemporary sculpture from the collections of the Frac Île-de-France with works and anecdotes from the life of sculptor Henri Chapu…

Avec ”Premières vues”, le Domaine régional de Villarceaux s’associe au Frac Île-de-France pour confier le commissariat d’une exposition à celles et ceux qui le font vivre au quotidien : l’équipe du domaine.

As part of this new volume of Temps d’art, the public is invited to perform a similar gesture using stencils that echo, among other things, the police anecdote of the 1965 theft of a Pierre Bonnard painting from the Menier collection—the former owners of the château that preceded the museum.

Le Syndrome de Bonnard (Bonnard Syndrome) reveals the shifting and open nature of the works. Between reworkings, reactivations, and recycling, they continue on their own trajectory beyond their entry into collections.