Le Syndrome de Bonnard (Bonnard Syndrome), will reveal the evolving and open nature of artworks. Through reworkings, reactivations and recycling, the works continue to evolve after entering collections.

Ruoxi Jin weaves a family genealogy and creates a parallel world made up of truths and legends, memory and projection.

Le Syndrome de Bonnard (Bonnard Syndrome), will reveal the evolving and open nature of artworks. Through reworkings, reactivations and recycling, the works continue to evolve after entering collections.

Le Syndrome de Bonnard (Bonnard Syndrome) reveals the shifting and open nature of the works. Between reworkings, reactivations, and recycling, they continue on their own trajectory beyond their entry into collections.

Avec La Tribune, Elise Courcol-Rozès interroge ce qu’est « faire justice ». Elle récolte les récits de témoins, prévenus et victimes sur leur perception de l’espace architectural du tribunal et la répartition de la parole en son sein. Par sa manière de travailler, l’artiste adhère à une conception bonnardienne de l’art.

In Splash collection, the works become the protagonists of a story inspired by the worlds of manga and comic strips. Among them is Le décalage by Marc-Antoine Matthieu.